Sunday, August 31, 2014
The here and now
I worked my way from classical realism, to different forms of organic and inorganic abstractions to a type of primitivism, ( that's not what I would call it, but the label others tend to use. I aim for a synthesis that as of yet I have only mentally conceived
Sunday, May 4, 2014
A Question of Style
A question of style, a question of style, a question of style. Again and again it's a question of style, or so they say
Saturday, May 3, 2014
Points to remember
A question of style, dickens dream, high school, environmental posters, um um, oh and collaboration vs straight out apprenticeship, there's more of course but just these notes for now
Thursday, March 20, 2014
WHITNEY COUNTERWEIGHT
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| " If Little Girls Ran The World, Could It Get Any Worse" |
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| " Recognition", Acrylic and paper on canvas, 71" x 55" |
| Involved in numerous on-going projects, Lisa Renko actively pursues and investigates ideas and directions thay she feels authentically challenge established art lexicons. Innovation, she has observed, isn't always obvious, obscured by labels of "contemporary", alternative", progressive", "outsider". descriptions that imply a departure from the conventional, but applied without vigilant awareness, result in paradigms that are formulistic and predictable, rarely surprise, let alone engage the viewer. To pursue such investigations, she believes that one must engage confusion and chaos, and acknowledge them as evolutionary agents |
And a Sculpture blog
Yes!!
Oh and I found all those "art statements" from prior art existences of mine.Totally unreadable. I tried to remember what the hell I was talking about, and I expected other people to understand them ?? Well the art world requires them, which is so irritating, can't the work just speak for itself.
I feel more free of all that nonsense lately, entered an online show, my work doesn't really translate under that umbrella, what to do??
Context matters
Oh and I found all those "art statements" from prior art existences of mine.Totally unreadable. I tried to remember what the hell I was talking about, and I expected other people to understand them ?? Well the art world requires them, which is so irritating, can't the work just speak for itself.
I feel more free of all that nonsense lately, entered an online show, my work doesn't really translate under that umbrella, what to do??
Context matters
Wednesday, March 12, 2014
DRAWING BLOG
A new blog for somewhat irreverant doodles, drawings, notes, insights, in the context of current events - NEW YORK TIMES
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